Tasmanian Aboriginal guitarist Glen Heald releases his seventh studio album, These songs see Glen working in a three piece Power trio format of Guitar, Bass and Drums without any overdubs. The guitar improvisations are deliberately longer as would be the normal practice in progressive rock and Instrumental Jazz-rock. It is deliberate that there are no vocals on this album. The songs are modal based but still contain elements of the Chicago blues style made famous by players such as Buddy guy and Otis…
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